I re-read the story called "Soldier's Home" and found it not as good as I remembered. Though only a few pages long I feel it could have been cut almost in half. This is often the case in Hemingway. Scott Fitzgerald tried to persuade him to lop off several pages at the start of The Sun Also Rises, and either failed entirely or was insufficiently successful: the novel really begins with chapter 3. The story called "Indian Camp," one of the earliest Nick Adams stories both with respect to date of composition and the character's probable age, is an instance of successful cutting. The original version included a section, published as "Three Shots" in The Nick Adams Stories, that was removed from the version published in In Our Time. The story is very much better for it but see if you cannot detect, in the opening sentences, the absence of something that formerly came before:
At the lake shore there was another rowboat drawn up. The two Indians stood waiting.
What two Indians? We are beginning "in the middle of things" and the remainder has a force of almost mythic intensity that it would have been impossible to achieve with the talky first part still in place.
Having dipped into the book I had to read a few other stories as well. The very best are very brief. The two finest are, arguably, "Hills Like White Elephants" and "A Clean, Well-Lighted Place." For an explication of the latter, check out John Berryman's essay on the story in The Freedom of the Poet--it's a tour de force of criticism and insight. In the former, a young man and his woman friend have drinks at a train station while traveling in Spain. The conversation gives an idea of what kind of life they have been leading together--the girl notes, at one point, that all they do is "look at things and try new drinks." The man is oblivious to her disquietude and soon begins trying to talk her into having an abortion. It is quite a slippery onslaught on his part and the woman, unimpressed, her disquietude becoming unbearable, asks him to please stop talking--and she repeats "please" seven times. Not long before that she had interrupted the conversation by taking a short stroll.
The girl stood up and walked to the end of the station. Across, on the other side, were fields of grain and trees along the banks of the Ebro. Far away, beyond the river, were mountains. The shadow of a cloud moved across the field of grain and she saw the river through the trees.
At the end, their next train is about to arrive, so the man moves their bags and goes in the bar to have one alone. Upon his return, he asks the girl if she feels better, and her answer ends the story.
"I feel fine," she said. "There's nothing wrong with me. I feel fine."
As the waiter in "A Clean Well-Lighted Place" realizes, some live in it but never feel it--the "it" being nada, the nothing that he (and she) know all too well.