I have been following the advice of George Packer, who in the closing days of the campaign recommended the essays of George Orwell as an antidote for all the lazy empty (but inflated) journalistic chatter that goes by the name Political Discourse. Packer, however, may have a vested interest in the therapy he prescribes, as he is the editor of what look like two handsome new volumes of Orwell's collected essays. Wish I had the time for all that. I've been taking his advice in miniature, meaning I have pulled from the shelf Eight Modern Essayists, edited by William Smart, and read the Orwell section, which is made of "Shooting an Elephant," "Marrakech," "The Art of Donald McGill," "Politics and the English Language" (of course), and "Why I Write."
The best known of these, "Politics and the English Language," includes near its conclusion six rules for writers. It is impossible therefore to read Orwell's essays without trying to make his sentences conform more perfectly to his own rules. In "Shooting an Elephant," for example, one reads: "As soon as I saw the elephant I knew with perfect certainty that I ought not to shoot him." In honor of Orwell's third rule--"If it is possible to cut a word out, always cut it out"--I propose the following: "As soon as I saw the elephant, I knew that I ought not to shoot him." On the same principle writers should avoid such expressions as "fairly unique" and "completely destroyed."
As long as we're talking about it maybe the third rule should have been, "If it is possible to cut a word out, cut it out."
I know you are wondering about the identities of the seven other "modern essayists." They are Virginia Woolf, E.B. White, Lewis Thomas, James Baldwin, Edward Hoagland, Joan Didion, and Alice Walker. The book is clearly intended to be used in a college composition course, and one consequence is that Smart has included, where possible, essays in which the author takes up his or her own thoughts on writing. Thus we have two essays with the same title, the one I like better, by Joan Didion, commencing:
Of course I stole the title for this talk from George Orwell. One reason I stole it was that I like the sound of the words: Why I Write. There you have three short unambiguous words that share a sound, and the sound they share is this:
I
I
I
Orwell's most memorable essay, of the ones I know, is here.