I know I said that upon finishing Righteous Victims I meant to turn my attention to Dickens, but I've been spending my last few coffee breaks with the Norton critical edition of Chekhov's stories. The short story seems to fit my life, which does not permit long stretches of uninterrupted reading, and you can't really do better than Chekhov. I highly recommend the Wikipedia article. Do you find that sometimes, when reading in Wikipedia about something you know about, the article seems very poor? The Hemingway entry was like that last time I looked at it. But the Chekhov article is long, detailed, informative, well written and a pleasure to read.
Yesterday morning I finished "The Lady with the Dog" and Wednesday I'd read "Anna on the Neck." The former is justly famous. Nabokov, who was not a Chekhov enthusiast, called it one of the very greatest of short stories, and he'll not be contradicted by me. The latter reminds me that Flannery O'Connor once wrote a story ("Good Country People") about a character with a wooden leg, which an American really should not do unless she wants readers to think of Captain Ahab. In the same way, the author of "Anna on the Neck" might have given the young wife another name had he not wanted to remind the reader of another Russian Anna who tortured her husband. But in Chekhov of course the marital straying is not accompanied by biblical epigraphs, hysteria, and suicide. If Anna Karenina is streaked with iridescent shades of purplish red, Chekhov is all earth brown and gray.
The rather flat prose of the stories goes with what Mirsky called an "unusually complete rejection of what we may call the heroic values." Nevertheless a sentence sometimes gleams. Of the husband in "Anna on the Neck," a rich official who has won a young bride who must marry for money, he writes: "His clean-shaven, round, sharply defined chin looked like the heel of a foot." Of Gurov's past conquests he writes, in "The Lady with the Dog":
He could remember carefree, good-natured women who were exhilirated by love-making and grateful to him for the happiness he gave them, however short-lived; and there had been others--his wife among them--whose caresses were insincere, affected, hysterical, mixed up with a great deal of quite unnecessary talk, and whose expressions seemed to say that all this was not just lovemaking or passion, but something much more significant; then there had been two or three beautiful, cold women, over whose features flitted a predatory expression, betraying a determination to wring from life more than it could give, women no longer in their first youth, capricious, irrational, despotic, brainless, and when Gurov had cooled to these, their beauty aroused in him nothing but revulsion, and the lace trimming on their underclothes reminded him of fish-scales.
One feels that the official's chin looked like the heel of a foot to his wife, who was repulsed by the thought of being touched by him. And in the sentence from "The Lady with the Dog," one of Chekhov's longest, this sense of revulsion is strong enough to require the actual word.
"Any idiot can face a crisis," Chekhov once wrote. "It's this day-to-day living that wears you out."