Whenever I'm in Magers & Quinn, 3038 Hennepin Ave., Minneapolis's largest independent book store, I see the lineup of Robert Caro's LBJ biography, the different thick volumes standing side by each and taking up most of a shelf, standard price for the paperbacks $9.99 and for the hardbacks $14.99, and I beat back the temptation by telling myself I'm 60, I'd have to devote to these tomes too big a share of my remaining reading time, so they're certain just to take up space besides other good intentions. But yesterday I took in my hand The Passage of Power, which covers the years 1958 to 1964, the first six of my life, and I noticed first how $14.99 compared to the $35.00 shown on the jacket and then, in the table of contents, the simple chilling title of Part III: "Dallas." It was 55 years almost to the day. I bought it and, when the Vikings game was over, read in bed starting in the middle with "Dallas" and on and on till 3 in the morning.
For sustained narrative force and brilliance, I'm not sure what can match Caro's account of the events of November 22, 1963, from the perspective of Lyndon Johnson. Of course the events themselves were dramatic, but in Caro's hand--well, you don't notice that it's gotten to be 2:40 a.m. Particularly effective is the way he interweaves the mundane events happening in Washington, where a Senate committee was taking testimony in a matter that had the potential to catch LBJ in a minor scandal, and the editors of Life magazine were meeting to discuss and make assignments for a journalistic investigation of the vice president's affairs that might further darken his prospects, with the unfolding itinerary in Texas as it moves from early to mid-morning and dreadfully toward what you know is coming in the early afternoon. I think it's analogous to the mysterious force of the gate-knocking scene in Macbeth, which De Quincey, in his famous essay, attributes to the way in which the reassertion of ordinariness endows the murder with a kind of suspended-in-time horror that, in the theater, can be hard to bear.
Things weren't looking good for Johnson that morning. He'd been the majority leader in the US Senate, arguably the second most powerful person in the American government, but now for a couple of years he'd been vice president, a position one of his predecessors had described with a joke:
Once there were two brothers. One ran away to sea, the other was elected vice president of the United States. And nothing was heard from either of them again.
That was Johnson's view, too. Moreover, he well knew what was going on in Washington that day and how it could cloud his political future. He deemed it not just possible, but likely, that he would be dropped from the Kennedy ticket in 1964. After all, the whole purpose of his selection had been to provide geographic balance and to deliver the electoral votes of Texas. Now, notwithstanding the identity of his vice president, Kennedy found it necessary to travel to Texas to heal a rift in the Democratic party. The president even had to order the state's Democratic senator, Ralph Yarborough, to drive in a car with Johnson--the senator's impulse being to "snub" Johnson, the word in quotes being the one deployed that morning in a headline in the Dallas News to describe Yarborough's desire to avoid being associated with Johnson. (More of the intermingling of the ordinary in-fighting and maneuvering--pettiness--with the looming cataclysm.) The vice president was an ambitious man but the door was closing. Kennedy would be reelected in 1964. By 1968, his brother, Robert, the attorney general, would be four years older with four more years of experience, possibly in a different cabinet post, and he'd be a Kennedy, from Massachusetts and Harvard, whereas Johnson, 55 years old that morning, was from the hill country of Texas and a graduate of Southwest Texas State Teachers College. He resented the Kennedys, and Robert, in particular, hated him.
In the motorcade, the vice president's car, by protocol, followed the armored car trailing the president's car at a prescribed distance. Johnson's wife, Lady Bird, tried making small talk with Yarborough but failed. When shots rang out in Dealey Plaza, Rufus Youngblood, the Secret Service agent sitting beside the driver, whirled and grabbed Johnson by the shoulder, shouting "Get down, get down" as he hurdled over the seat, forcing the vice president to the floor and covering him with his own body. The car accelerated to keep up with the president's, which as everyone now knows was racing to Parkland Hospital. Johnson spent the time on the floor of the back seat, uncomfortably smothered by Youngblood's body. Sometimes, what an author doesn't say, but shows, can be highly effective, and in this case Caro is able to convey, without explicitly saying, that lying uncomfortably on the floor of the vehicle, smothered by Youngblood and racing to Parkland, Lyndon Johnson was not in shock, not overwhelmed, but almost certainly thinking--very clearly thinking, calculating, seeing ahead, coming to conclusions about how to proceed. He knew the score and inning. At the hospital emergency entrance, he was hustled from the car and into the interior of the building, turning first down one corridor and then another as agents looked for a suitable room that could be made secure.
Caro describes the room they settled on--sterile, haphazard, artificial light, a drawn curtain to form a cubicle, hospital standard-issue. Someone got two folding chairs. Lady Bird sat in one, Johnson remained standing, his face set, body still. They waited for news. After around a quarter hour, a Kennedy aide came to the door, in tears, and said, "He's gone." The reason you know Johnson had been thinking is that he quietly began rejecting the advice of the Secret Service, which, fearing a conspiracy and possible general assault on the US Government, wanted to return immediately to the airport and get up in the air on Air Force One. But Johnson asked simply, "What about Mrs Kennedy?" Told that she would not leave without her husband's body, Johnson said they'd travel to the airport but would wait aboard Air Force One for the coffin and Jackie Kennedy. It may have seemed to some a magnanimous act, and maybe there was some of that, but, as Caro unwinds the story of the day, it becomes clear that there was a very large admixture of statecraft under pressure as well as political calculation.
Johnson became president upon the death of Kennedy. But there was also the matter of the oath of office, an event of considerable symbolic import. Where would it be administered? He didn't want to wait to get back to Washington. He wanted to take the oath in Dallas. He may very well have come to that conclusion as Rufus Youngblood lay atop him on the floor of the vice presidential car. He wanted everyone possible associated with President Kennedy, and preeminently his widow, to be beside him as he took the oath. From Air Force One, he telephoned Robert Kennedy, who had been eating lunch at his Virginia home, to inquire about the wording of the oath, who could administer it, and whether it was permissible to do it in Dallas. Anyone could have supplied the answers, but Johnson chose to call grief-stricken Robert Kennedy, probably because he wanted it reported in the press that the dead president's brother was onboard with what he, Johnson, caused to happen. A photographer was secured, because Johnson wanted the oath-taking to be disseminated as well, and when Mrs Kennedy had boarded with the coffin and a federal judge had arrived to administer the oath, the famous picture was taken and Johnson's goal achieved--the world and all Americans would see, at the earliest possible moment, that the necessary and constitutional succession of power had occurred, that the government of the United States was functioning, and that Lyndon Johnson, with the consent and assistance of the Kennedy family and administration, now stood at its head. Here is a sample from Caro's narration:
The man underneath Rufus Youngblood was lying very quietly, seemingly calm, except when his body was jolted forward or back as the car braked or accelerated or swerved. His composure would have surprised most people who knew Lyndon Johnson, but not the few who had seen him in other moments of physical danger, including moments when he was under gunfire. Johnson's customary reaction to physical danger, real or imagined, was so dramatic, almost panicky, that at college he had the reputation of being "an absolute physical coward." All during World War II he had done everything he could to avoid combat. Realizing, however, that, "for the sake of political future," as one of President Roosevelt's aides wrote, he had to be able to say he had at least been in a combat zone, he went to the South Pacific and flew as an observer on a bomber that was attacked by Japanese Zeroes. And as the Zeroes were heading straight for the bomber, firing as they came, its crew saw Lyndon Johnson climb into the navigator's bubble so that he could get a better view, and stand there staring right at the oncoming planes, "just as calm," in the words of one crew member, "as if he were on a sight-seeing tour." Although his customary reaction to minor pain or illness was "frantic," "hysterical"--he would, says Posh Oltorf, "complain so often, and so loudly" about indigestion that "you thought he might be dying"--when in 1955, in Middleburg, Virginia, a doctor told Johnson that this time the "indigestion" was the heart attack he had always feared, Johnson's demeanor changed. Lying on the floor of Middleburg's ambulance--it was actually a hearse--as it was speeding to Washington, he was composed and cool as he made decisions: telling the doctor and Oltorf, who were riding in the ambulance, what hospital he was to be taken to, which members of his staff should be there when he arrived; telling Oltorf where his will was, and how he wanted its provisions carried out. It was a major heart attack--when he arrived at the hospital, doctors game him only a fifty-fifty chance of survival--and at one point during the trip Johnson told the doctor that he couldn't stand the pain. But when the doctor told him that giving him an injection to dull it would require stopping for a few minutes, and that "time means a lot to you," Johnson said, "If time means a lot, don't stop." There were even wry remarks; when the doctor told him that if he recovered, he would never be able to smoke again, he said, "I'd rather have my pecker cut off." Lady Bird was always saying that her husband was "a good man in a tight spot." Oltorf had never believed her--until that ambulance ride. He had thought he knew Johnson so well, he was to say; he had realized on that ride that he didn't know him at all. This, in Dallas, was a tight spot. Lying on the floor of the back seat with Youngblood still on top of him, Johnson asked the Secret Service man what had happened. Youngblood said that "the President must have been shot or wounded," that they were heading for a hospital, that he didn't know anything, and that he wanted everyone to stay down--Johnson down on the floor--until he found out.
"All right, Rufus," Lyndon Johnson said. A reporter who later asked Youngblood to describe the tone of Johnson's voice as he said this summarized the agent's response in a single word: "calm."
A moment later, the voice on the shortwave radio told Youngblood that they were heading for Parkland Hospital, and the agent, shouting, he was to recall, against the noise of the wind and the wail of police sirens, told Johnson what to do when they arrived: to get out of the car and into some area the Secret Service could make secure without stopping for anything, even to find out what had happened to the President. "I want you and Mrs Johnson to stick with me and the other agents as close as you can. We are going into the hospital and we aren't gonna stop for anything or anybody. Do you understand?"
"Okay, pardner, I understand," Lyndon Johnson said.
That was just about exactly 55 years ago now. I was in kindergarten, it was the Friday before Thanksgiving--Thanksgiving was as late as it can be that year--and when I got home the house smelled of baking bread, because that's what my mom did on Fridays in the cold-weather months: she baked dinner rolls and cinnamon rolls. You don't consider smell your most important sense but I don't think there's any that makes a stronger imprint on the memory, or maybe it's especially the smell of baking bread that can do that. To me it all seems somehow mixed up now with a sensation of lost innocence. Never smell baking bread anymore and for sure presidents don't travel in open motorcades either.