"Happily sunk in Balzac again," writes Edmund Wilson, in one of his last Journal entries before dying, age 77, on June 12, 1972, at Talcottville, New York. This is on page 881 of the Journal entitled The Sixties, which, to get him to his finish, slops over into the 1970s. There are also The Fifties, The Forties, The Thirties, and The Twenties. Though they aren't all of such daunting length, none is slim, and you can see how someone might aspire to approach their end happily sunk in Wilson again. A page in my edition of The Sixties bears the heading "Books by Edmund Wilson" and lists, besides the five Journals (five is about the number of decades of adult life we can hope for), 28 other titles, many of them door stops too. Hemingway's suicide early in The Sixties elicits the observation that it was a bad end for one who had advised other writers "to survive and get your work done." Wilson took the advice.
The Sixties makes for pleasant reading late at night since you don't have to worry about anything like losing the plot. I just perk up naturally when the occasion demands. Not interested in the decor of his hotel room in Montreal? Mixing up the identities of his neighbors in Talcottville? Just forge ahead, it's like listening to someone smart talk: never dull for long. Though sometimes I wonder if I missed something. A continuing theme is his troubles with the income tax, and unless I drowsed through it, he never explains the genesis. I know from another source that he simply failed to file a return for several years running. He would probably have agreed with the Saul Bellow character who can't forgive the government for compelling us all to be accountants. Wilson had other things to do, and it occurs to me that the tax code is likely not kind to someone like him, a freelance intellectual who labors away steadily for years, earning very little, and then the government taxes him like a rich man when one year he publishes a book that sells well.
I'll tell you this, he could afford to buy liquor even in the lean years. Lots of drinking. He also liked the ladies and, for a guy short, fat, and sallow, enjoyed considerable success in this realm. It really seems to be the case that all you have to do is ask. At the beginning of The Sixties, he's 65, and encroaching senescence, as a theme, laps the tax trouble. The following poem, addressed to his fourth and last wife, Elena, gets dropped into the end of the Journal:
Is that a bird or a leaf?
Good grief!
My eyes are old and dim,
And I am getting deaf, my dear,
Your words are no more clear
And I can hardly swim.
I find this rather grim.
Of his flagging capacities, however, the following passage is a fairer representative of what he rued most:
Last year, alone here all summer, I felt, when I had an erection, what a pity it was that so splendid a thing should not have a chance to enjoy itself. This summer I have fewer erections and do not have such vivid feelings about them. I think that I have aged in the last year, but I hope that this does not mean that an abrupt drop has taken place.
This perhaps calls for a gloss. He was alone at Talcottville, where he lived around half the time in what he called "the old stone house" that had been in the family for years. Elena hated it there and stayed away to the degree possible. It's remote: nearest town of any significance is Rome, and if Rome doesn't count then Utica. It's more than 150 miles to Rochester and around 60 more to Buffalo. Wilson knew families in the area from time spent there as a kid and seems to have enjoyed the contrast with his life among the literati of NYC and Wellfleet on Cape Cod. He engaged an immigrant drug store clerk to teach him Hungarian and studied the flora of the area with a biologist from Syracuse. To Elena, who could not be sustained by such interests, Talcottville could as well have been a Siberian prison camp. The nearest restaurant was at a town with the unprepossessing name of Boonville. To the troubles with the IRS and the problems of advancing age may be added, as a theme to Wilson's Journal, that old reliable, "domestic disputes." For things did not always improve markedly when Elena was on the scene:
After the Sharps left, I drank another glass of the horrible wine, and though I hadn't had much to drink, I set off a quarrel with Elena, telling her that she hadn't been to bed with me for weeks—which led to her ungraciousness about birthday gifts, etc. She hadn't shown me much affection or sympathy since she came to Talcottville, had told me to "snap out of it" and not "pity myself" when I had told her how depressed I was, and, when I said that I needed sympathy, had said, "Everybody needs sympathy." She thought Helen was at the store but then it turned out she was in her room and had, I suppose, been hearing it all through the radiator pipe in the living-room ceiling. This made the situation worse. The next thing I remember, I was sitting in my chair in the big downstairs room and threw at her an old copy of Scrutiny, which hit the wall just to the right of the doorway, outside of which she was standing. She went upstairs, but then came down again and said sadly and propitiatingly, "Good night." I should have met her on this, gone and kissed her; but I threw at her another magazine, a larger and thinner one, which flapped and fell on the floor. Upstairs she spat at me about Mary Pcolar and told me she didn't like my "spongy body"—which may well be true.
Helen is their daughter, a teenager. The physical characteristics of Mary Pcolar, the drugstore clerk and Hungarian tutor, have been previously described in the Journal. Poor Wilson mourning his lonely erections, then suffering even more when Elena came to Talcottville, reminds me that according to Oscar Wilde only two things ever go wrong in life: the first is not getting what you want, the second is getting what you want.